Why?


The image is a still from the 1964 film Ride the Wild Surf and shows four white men surfers and one man of colour standing on the shore of the beach. They are holding surfboards. The four white men are all looking at one another, the man of colour is on the outside of the group.
Image from film Ride The Wild Surf, 1964, featured in Australian Women’s Weekly. “Wave after wave of wild excitement, with the guys who’ll go where the action is, and the girls who’ll go for the action guys” (quote from official movie trailer, 1964).

Mainstream surf culture has been persistently, and at times aggressively, gatekept by white men – which is pretty wild given that surfing originated in Indigenous cultures. The past decade, and the last five years especially, has seen more diverse participation and representation in surfing lineups, media, and competitions.

But there is a long way to go.

Lineups still tend to be highly gendered, not only in terms of who is in the water, but also in terms of how the tone of the lineup is managed. While other sports are beginning to reflect the multicultural constitution of Australia, surfing, both professionally and as a pastime, remains dominantly Anglo-Celtic. Representations of LGBTQI+ and disabled surfers are also highly marginalised.

Importantly, this space is interested in more than just representation. Representations of diversity and increased participation are not enough: for meaningful change to occur, we need to critically reflect on and actively deconstruct the maintenance of surfing barriers in Australian culture.

The Section zooms in on surfers who exist in the intersections: women and gender diverse surfers, LGBTQI+ surfers, First Nations’ surfers, migrant surfers, disabled surfers, and all those surfers who cross over these identity categories.